Body Painting

It is my goal in life to either one day body paint someone or to be body painted myself. I find the concept of using the human body as a canvass so breathtaking! Here are some images of body painting I've collected, some beautiful, some sexy, some humorous, and others somewhere in between...










I wrote a piece of flash fiction for a class last year that isn't EXACTLY about body painting, but it's related. I share it with you now.

Brush Strokes

Chloe watches him jab and knead the buttons with his thumbs, his sweaty palms slipping on the plastic controllers. The glowing TV ensnares his unblinking eyes. A woman appears on the screen, she’s wearing no bra and yet her breasts are somehow lifted into their perky positions by invisible hands. The screen says, “Push A to kiss her”. His thumb crushes the button into the socket. “Push AB to fuck her” His thumb races to obey the motions.

“Let’s go do something different tonight. Let’s go try that new coffee place in Western Springs. I hear they have live musicians there.”

“Just Let me just finish this level.”

Trudging down the basement stairs, Chloe gazes at the four oil paintings lying on the floor she had just completed for her art final: a picture of she and her boyfriend, the coliseum, a leopard, a ship at sea. She stares at the stationary images for minutes, but the sound of explosions from upstairs nudges her to set to work.

She props the paintings up and screws them together so the four images face inwards. She turns on music, the new-age kind that transports one to the primitive, the kind that he hates, and she ducks into her newly constructed canvass box. After tearing off her clothes, she pounds on the coliseum canvass to the sound of the drums in the song. The wet canvass resonates.

Pressing lightly clawed hands to the paint, she slowly spins, scraping the colors in smudgy lines across the leopard, coliseum, ship, and the portrait of he and she. She dances and rolls her entire body over the images, leaving her wounded with slashes of paint over her skin, the images on the canvasses blur from her naked brush strokes. She smiles.

“What the fuck are you doing?”

He stands on the stairs, controller in hand. Only her head is visible over the top of the canvass box, and he sees her hair clumped together in red, purple, and yellow strips.

“What’s wrong with you?”

Her smile drops.

“Turn that shit down will ya?”

Chloe crawls out of the box wearing only the smears of fresh paint over her body. She sways her hips as she saunters up to him, stretches her hand lower and lower towards his belt, grabs his plastic controller, and drops it into a can of paint.

He rushes to save the controller, she puts on her clothes.

I love how the picture above looks so real you can barely see the women in it! The artist wanted to use the female curves as lines and curves in his artwork. Success! Beautiful and way cool.

High Fashion: Exposed

Tessa sent me this link and I would love to blog about it, however, it speaks on it's own. I'd love to hear your reactions to it. Tessa had one really beautiful and cool reaction, I had another unique reaction, and I'm sure there are more spanned all across the spectrum.

Here are some of the hottest high fashion models completely nude...

http://community.livejournal.com/foto_decadent/1987068.html

Society's Ideal Beauty is Relative to Wealth

One thing that I have conclude is that ideal beauty is partially naturally based in the sense of symmetry and such, but that ideal beauty is even more so socially based.

On that note, it is my opinion that society's ideal beauty is based on wealth and how money and power can attribute to a person's look.

For instance, before the 20th century, the ideal western woman was pale, plump, and had very little muscle. Only wealthy women could achieve this look because they could afford not to do heavy labor and could afford to eat heartily. The middle to lower class woman would have had tanner skin, muscular arms, and would have been thinner due to lack of nutrition.

But since the 20th century, this trend has flip flopped. Now tan skin and very thin waists are a sign of ideal beauty, and this flip happened because in the past 75-100ish years for only wealthier women can afford this look. The industrial revolution forced a movement towards more desk-related or indoor jobs rather than physical labor for the middle to lower classes, and so the middle to lower classed women tend to be paler, plumper, without toned arms. They don't have the money to spend on tanning salons or vacations to exotic beaches, don't have time to go to the gym or money to pay for a membership, and are often exposed to unhealthier eating habits by eating more processed foods and eating at fast food restaurants.

At the same time though, It's a slightly different story when it comes to race. I've read articles about arguing how in the media paler women give off the image of pureity and female strength and are more goddess-like, and tanner women give off the image of sexiness and seduction. Tanner women in the media are more likely to be wearing less clothing than paler women. I realize there are a lot of factors that could be playing into this study such as race... but it was an interesting read.

I have noticed that when I go into the makeup aisle at Jewell, the pictures were all of black or mixed race black/white women who had paler chocolate skin to begin with that were lighted to look even more white. The 3 I saw were Jessica Alba, Halle Berry, and Beyonce Knowles. All three of them are drop dead gorgeous, but they are black women with whitish features. In this way the make up companies are trying to appeal to women of color by using black women as their models, but also to white women because all three have very white features that are heightened and highlighted in the advertising. It makes perfect sense, but I feel almost tricked in a sort of way.... it's a very backhanded way to say that darker skin and black features are undesirable.

Marilyn Monroe: Not Just the Girl with the Shape

So, for those who don't know, I've been on a Marilyn Monroe kick for a couple weeks now. I told this to a friend and he said, "who hasn't?". Well a lot of people. Up until recently, I just viewed Marilyn Monroe as a sex symbol actress famous for having wind blown up her skirt and singing Happy Birthday" to JFK. She wasn't someone I really wanted to idolize or study... I passed her off as a dumb blonde. Now after I've watched her movies for the first time, read her quotes, and studied her life, I've begun to understand exactly why people made such a big deal about her... Why she was so fabulous... How I could start to identify more with her than Grace Kelly and Audrey Hepburn who were my previous actress role models.

First and foremost, let me clarify that Marilyn Monroe was NOT a "dumb blonde". She oftentimes played the dumb blonde role in movies such as "How to Marry a Millionaire", "Gentlemen Prefer Blondes", "The Seven Year Itch", and "The Prince and the Showgirl"... BUT in all of those movies (with the exception of the first), the she plays a girl who PRETENDS to be a dumb blonde in order to get further in life, or is stereotyped as a dumb blonde but clearly is not. For instance, in "Gentlemen Prefer Blondes", Monroe's character is seen as the blonde who only uses her looks rather than brains while the brunette Jane Russell obviously uses her brain more than looks... however Monroe’s character reveals she actually is witty and intelligent and when asked why she pretends to be dumb responds, "because men prefer it that way". In the "Seven Year Itch" and "The Prince and the Showgirl" a man tries to woe her just to have sex with her, but she ends up waving away his advances and even makes the man look foolish for thinking. In the game of love, she wins with the upper-hand in both stories. The characters in her stories often reveal to have deep pockets of knowledge such as knowing German for example.

Monroe was very similar to the characters she played for several reasons. She was often labeled as a dumb blonde because that's what people wanted to categorize her as. She was often photographed reading or holding a hefty book such as "Ulysses" (pictured above) for the purpose of making people chuckle because they never could imagine her in a million years with a brain. But in fact she was very intelligent and loved to read. She was often seen on set reading the autobiography of Abraham Lincoln for example.

She also struggled with her sexuality and the big question of how to be an attractive woman in a man's world...

* How to be proud of and flaunt one's beauty without being considered vain
* How to be comfortable with one's sexuality without being considered slutty
* How to not care about what others think while caring about what image you project
* How to use both body and brains to succeed in life
* How to find real love when people just want you for sex and prestige

These are questions I wrestle with myself. I wrestle with my sexuality and all these questions on a daily basis, and I'm sure others do too. Really, I want to talk about Marilyn so much... in this blog I can only touch a fragment about her, I feel the best way is to focus on some of her quotes...

"Sex is part of nature. I go along with nature."

"The body is meant to be seen, not all covered up."

"It's not true that I had nothing on. I had the radio on."

"That's the trouble, a sex symbol becomes a thing. But if I'm going to be a symbol of something, I'd rather have it sex than some other things we've got symbols of."

"We are all born sexual creatures,thank God, but it's a pity so many people despise and crush this natural gift."

On one hand, Marilyn Monroe was very comfortable with her body, beauty, and sexlife. Especially for being in the 1950's, this was all very progressive thinking. Even for nowadays, I would argue that this is progressive thinking. She had a sense of humor and loved her sexuality!

"Being a sex symbol is a heavy load to carry, especially when one is tired, hurt and bewildered."

"I don't want to play sex roles any more. I'm tired of being known as the girl with the shape."

"With fame, you know, you can read about yourself, somebody else's ideas about you, but what's important is how you feel about yourself--for survival and living day to day with what comes up."

Even though she was comfortable with herself and loved her body and sexuality, she was frustrated with the fact that that's all that people wanted out of her. The media, the public, even some who knew her in real life... they all wanted to see her as the "dumb blonde" with the killer body. So although she was not ashamed with her body, she was frustrated with those who either A) Wanted to see her as only as a sex symbol and a moneymaker through sex or B) criticized her for being a slut and only a slut. I know that I have the problem of seeing myself as beautiful in a world where the stick thin androgynous pre-pubescent boy look is hailed more than the curvaceous hourglass that my body is. I have to admit, that when seeing pictures of Marilyn Monroe nude, I looked at myself, and saw how similar our naked bodies look, and it comforted me and made me feel beautiful. It has been difficult to find bodies that look similar to mine, or at least classy women with bodies like mine. Her confidence gives me strength.

"It's better to be unhappy alone than unhappy with someone."

"A wise girl kisses but doesn't love, listens but doesn't believe, and leaves before she is left."

"Alone!!! I am always alone. I am always alone. No matter what"

She was vulnerable and sensitive. It's clear by these quotes that she had been burned by several men numerous times and wrestled with how to find love. If you read up on her many different lovers, you might get a glimpse of the heart ache she's been through with how to be herself and also hold on to someone she loves. In her journals, she made it clear that the last thing in the world she wanted was for her third husband, playwright Arthur Miller, to find disappointment in her, and when he did their marraige started to go south. She knew how to love, but oftentimes the men she loved did not know how to love her. It scares me, honestly, that even the most beautiful woman in the world who was so talented and smart, could not find true love and happiness in a man. I know she was searching, too. She often wrote or talked about it whether in journals or various public events, "I'm just a little girl in a big world trying to find someone to love" she said. and she knew the unselfishness of love too... she could have worded it "trying to find someone to love me" but she didn't, and I find that fascinating. I also identify with the quotes,

"I've never fooled anyone. I've let people fool themselves. They didn't bother to find out who and what I was. Instead they would invent a character for me. I wouldn't argue with them. They were obviously loving somebody I wasn't."

I've had it happen to me on many occasions that guys will fall in love with the idea of me rather than me. They will make up a character of who I am, a character that will glorify themselves, rather than loving me for me. For instance, there have been two or three guys who have told me that they were head over heels in love with me, not just like, LOVE. And they wanted to "rescue me from the hardships of my life" and give me everything I always deserved. Give me the happiness that I deserved like a new place to live, nice clothes, fancy meals, etc. They probably wanted this so that they could have the girl to go home to, to give them meaning to their life... someone to provide for so that they can fulfill their idea of manliness. But if you know anything about me, you will know that I don't want any of this. Even typing out this scenario leaves a bad taste in my mouth. I don't want anyone to "rescue me"... if I need rescuing, I want to rescue myself. I don't want a man to have to provide for me, I want a man to provide with me. Even suggesting that they LOVE me without even knowing the first thing about me wants me to punch them for daring to slander the word of LOVE. You can't toss the word around like a frisbee.

"Women who seek to be equal with men lack ambition."

"I want to grow old without facelifts. I want to have the courage to be loyal to the face I have made."

"You believe lies so you eventually learn to trust no one but yourself."

She also was ambitious, strong, a feminist, and very confident in herself for herself. It's clear she had a solid understanding of herself despite her huge insecurities. And I mean... she had HUGE insecurities. She never knew her father, her mother was a schizophrenic, she was often afraid she would become schizophrenic herself, she wrestled with her own image, her public image, yet still loving herself and trying to be true to herself despite what everyone wanted her to be. I think a woman can be strong and insecure at the same time. I think by recognizing one's insecurities, you can work on them and build strengths to compensate for the weaknesses.

Like I said before, I identify with Marilyn Monroe on so many levels, I guess mainly because I feel like I am a very strong person but also insecure. I wrestle with how to be beautiful but not vain, sexy but not a slut, how to view men, how to find true love and if it actually really exists. I find myself aching for love so much... but I don't want to settle for just anything, for anyone.

Actually, as an aside, since I was a baby, my mother sang me, "Goodnight, My Someone" from The Music Man. It's about singing goodnight to your "someone", your one true love that you haven't met yet or haven't realized you've met. To this day, I sing that song in my head before I sleep, I write letters (I've probably written a hundred by now), and even sometimes talk to my own Someone. I'll wonder if he's having a good or bad day today... hoping that he is happy and having a blast doing something crazy or ridiculous. Sometimes I'll tell him how horny I am and how it's unfair that he is so far away, or how I really hope that he's good in bed. LOL. I tell him a lot of things. But then I wonder that maybe this is all just my fantasy. That he really doesn't exist.

I mean... how is my faith in my Someone any different than having faith in God? God didn't create us in His image, We created God in our image.

I oftentimes get more an more cynical in my viewpoints... because honestly most couples I know whether married or not, do not live a life of "love" that I would ever want to remotely imitate. So, either I find someone who can invent a new sort of love with me, or it just doesn't exist outside my own head.

Maybe Marilyn Monroe wrestled with this too. In the new issue of Vanity Fair (kindly given to me by Tessa, who totally made my week with that gift!), it features Monroe and explains how she was portrayed in her own journal entries. She was insecure, frustrated with love, etc. The article kept on suggesting that this was the REAL Marilyn Monroe, because all over her entries were dark. However, as a journal writer myself, I know that half of my entries are me venting about my frustrations, and I tend to view myself as more of a happy optimistic person than a frustrated sad one, but my journal would reflect otherwise. I think that's the same with Monroe. Yes, she was insecure and frustrated, but that is only a part of her. That doesn't change the fact that she had strength and confidence at the same time. Again, people try to pinpoint people as such narrow, shallow people, but we are all complex. We are all complex.

Beautiful, Strong, Insecure, Vulnerable, Confused, Enthusiastic, Brilliant, Talented,
Marilyn Monroe.

America's Next Top Model Cycle 15

So, my guilty pleasure show is America's Next Top Model. You would think, that someone such as me who likes to praise all sorts of different female body types would be repulsed by a show about modeling where they only really hail the look of the starved Amazon. However, I enjoy it because surprisingly they do address issues of various body types in relationship to the fashion industry, and that's what fascinates me.

(Ann in the fallen angel challenge, like all of her photos thus far, this was named the best)

This cycle, the prize is that the model gets to be on the cover of Italian Vogue and the Vogue beauty magazine. So it's really a whole different level of modeling than the show has delt with before. The judges are incredibly impressed with Ann, who has won best picture all four episodes! She is the tallest of the models, standing at 6'2" and is naturally thin with crazy large hips. She's awkward and disproportional, and best of all, she's a complete nerd! I love her, she seems like me in her nerdom. She seems genuine and honest, and the judges love her, which is really cool to see, and odd because usually the judges do not like my favorite. Although I think that Ann still falls under the catagory of a "starved Amazon" she is a different sort of starved amazon... she has strange proportions by having a tiny bust and large hips and also towering over most men, and a personality that is unique from other models. A real cool beauty.

(Esther showing off her chest as well as the rest of her body for the first time in the competition in the after-makeover photo)

The other very exciting thing is that there is a model with my bra size on the show! Her name is Esther, jewish of course, and she's a 30G! I was expecting them to boot her off right away because her boobs were so large and couldn't fit into the clothes they way they wanted, and in the first few episodes the judges were concerned about it and made a big deal about it. But Esther just calmly said, "don't worry, I hide them well." And so far she's been a favorite of guest judges and is hailed as a "classic beauty" which also makes me happy. Now, although I'm surprised and thrilled that she is doing well in the competition, my critique is that she and the judges try to play down her breasts a lot and almost pretend they are not there in fear of her coming off as too sexy and "sports illustrated". She because you have a body and show it, doesn't mean that you look pornagraphic. That's my critique.

(Kayla was runner up for best photo with this one, in which they had to choose a bully word that they were teased about and a power word to over come that negative word. She was overly emotional about it, but came out with a great picture. This was before her red hair makeover btw)

There also is a lesbian on the show named Kayla from Rockford who I love. I hated her at first... she had a normal model body and big curly hair and laughed like a dumb school child, but after her makeover with her hair a dark red, she's much cooler and edgy. She really has a good handle of who she is and how to bring her personality and her experiences to modeling.

Other than these three, none of the others really seem to appeal to me, I liked the "Flower Child" hippy girl but she was booted off in episode 3.

Tyra made it a point to boot off the deathly skinny girl right in the first episode for that very reason, a part of me wonders if they had her on the show just so they could boot her off and make the stand that the modeling industry does not want deathly skinny girls. Even if they don't want deathly skinny girls, only 8% of the female population can naturally obtain the BMI they look for. But still, I think it's a start.

I really think the ideal female body is going to change soon, it has to. If you look through the past 100 years like I did in my last post and see how society changes and repeats over and over... It's inevitable that the fashion industry's models are going to have to change too. I know it's easier to sell the clothes when they are on hangers... few bumps and curves to deal with... and because they are so tall, they will stand out as larger than life... but the androgenous and awkward look can only stay edgy for so long.

Timeline of the Ideal Female Body

Everyone knows that the current female ideal is to be super skinny with a usually unhealthy and unattainable BMI, yada yada yada. We know and discuss how women hurt their bodies to achieve this... However, this female ideal has NOT always been the norm, and what some people do not realize is that hurting one's body to achieve the feminine ideal is NOT a new thing. Women have been doing this since the dawn of the human race, since they were first ingrained whether falsely or truthfully, that beauty is their greatest asset. For fun, I put together a very brief snap shot of various research to demonstrate the ideal of feminine beauty over the past 110 years... you can see how cyclical and silly and yet how fascinating society can be...



In the early 1900's the ideal female body was a woman who was full figured and extremely corseted. This ideal was known as the "Gibson Girl", a series of drawings that artist Charles Dana Gibson made popular which depicted her having an exaggerated S body shape with large breasts and an accentuated... well, her ass. (If someone can remember what the "butt cushion" was called that they would wear, let me know, I can't remember it for the life of me.) Her hair was piled on top of her head and she usually had a long slender neck. She was very swan-like, even the corset women wore to achieve the S shape was called the swan corset. The Gibson girl was often depicted as an equal but childish companion to her man, and she had an extreme amount of independence as she was depicted going to college... but yet she was never shown as part of the suffrage movement. The Gibson Girl was drawn of various plates and mugs, and some people argue she was the first national standard for feminine beauty. The most famous Gibson girl was Belgian-American stage actress, Camille Clifford (pictured above).



In the 1920's, the ideal female body became the more androgynous form of the flapper girl and women bound their breasts and cut their hair into boyish bobs to achieve this look. Some anthropologists such as Ann Bolin suggest that this social response to women gaining the right to vote in 1920. By shrinking their breasts and hips they wanted to show that women had more to offer the world other than merely serving as reproductive machines. Flapper girls were known as being rebellious as they would wear heavy makeup, drink, and be more loose and risque with sexual relations. It is interesting to note that this was the time period that beauty shops emerged... because barber shops would not adequately style a woman's hair in a feminine/boyish bob, women needed their own hair styling places. Clara Bow is pictured above.



In the 1930's the flapper girl ideal fell out of fashion, and curves became back in style. Women often wore broad shoulder padded suit dresses and created a triangle shape that almost mimicked the power suit of a man. Greta Garbo (pictured above) was famous for having a broad shoulders with a small waistline having the idea trangle shape. Katherine Hepburn and Jean Arthur often wore clothes to accentuate this iconic form.



In the 1940's, with WWII, the famed pin up girl body became the model for feminine beauty, with healthy curves and long legs that go on forever. It became more acceptable to show more skin and less clothing and pin up models would wear very little and sometimes props instead of clothing in order to make images acceptable for mass production. Each model would develop signature poses and oftentimes modeled their backside to accentuate their behind ad their legs. The Notorious Betty Page and Betty Grable (pictured above) were famous pinups. Back on the home front, women feminine but practical style masculine suit dresses. Because women were taking up jobs while the men were at war, they needed fashion to exhibit their strength and sexuality.


The 1950's introduced Marilyn Monroe (pictured above), one of societies most famous sex symbols and models for female beauty. She took the pin-up era and brought it to another level of acting, singing, and modeling. She had healthy curves and was a size 14, which is equivalent to today's size 8. (For my guy friends who are reading this and don't know what a size 8 is, I'm a size 6, if that gives you any perspective.) Women in the 50's strove for her "perfect" dimensions... Marilyn said, ""Being a sex symbol is a heavy load to carry, especially when one is tired, hurt and bewildered." Yet, Monroe was not the only icon in the 50's. There were also Doris Day who showed a non-sexual sort of beauty and Grace Kelly who emphasized sophistication and realized many girls' dreams of becoming Princess of Monaco. It's also cool to acknowledge that the Barbie doll and Playboy magazine were born from this era of sexual confusion.



The 1960's and 1970's were decades of change and this included the ideal feminine shape. Audrey Hepburn and Twiggy (pictured above) were two of the decade's iconic beauties and both had petite shapes with small chests and hips. Hepburn had a little bit of curve, but Twiggy's body was that of a prepubescent boy. This was the first time in our nations history where someone severally underweight was the ideal of female beauty. Just how some anthropologists believe the 20's flapper girls were a reaction to gaining the right to vote, some believe this change in body image is a direct result of the introduction of the pill in 1960. Women now had complete control over their own reproduction and their bodies and did not want to be seen as baby machines. The ideal of being androgynous without defined breasts and hips represented independence and freedom. In the 1970's the idea body remained about the same but instead of being heavily makeuped, was a more natural and girl-next door look.



In the 1980's, exaggeration was in style. Bigger hair, bigger, shoulder pads, shorter skirts, etc, therefore exaggerated hourglass figures were in style. The ideal female form was a little reminiscent of the 1930s: powerful yet feminine. Exercise and toned muscles were also a sign of beauty as it exhibited a marrying of strength and female softness. Some anthropologists attribute this to women transitioning from home to the workplace. The shoulder pads helped give them a more authoritative look in order to hold one's own in the business world, the man's playground, yet the short skirts revealing more leg was a reminder of feminine softness. Madonna (pictured above) was one of the biggest female icons of this decade, she showed obvious sexuality yet success and control. Although, Princess Diana is comparable to Grace Kelly, in that she was a contrast to Madonna as Kelly was to Monroe.



I must admit, even though I've lived through the 90s and 2000s, there's little definite research on these years and it was difficult to sum up. The 1990's gave way to various ideal bodies. In the early 90's the exaggerated and curvaceous bodies of Baywatch and other shows and movies were the idolized, yet at the same time as the decade progressed, the underweight, tall, slender women like Kate Moss (pictured above) were the ideal. Some people theorize that as the national BMI increased and obesity became more of a national epidemic, the ideal body became skinnier and skinner. The rare becomes more desirable. The 2000's and now the 2010's continue to hold the unhealthily skinny female body as the ideal for female beauty.

I don't know about you, but I'm waiting for the backlash to happen... any time now! I guess if you are naturally tall and slender then you must be loving the ideal body right now, but for me... it's quite irritating!

Note that there have been several women throughout the years who are hailed for their beauty but don't fit the ideal body type of her era to a T, nor can fit into this little blog all nice and neat. Sophia Loren had the most extreme hourglass shape imaginable, Vera Ellen had the tiniest waist and hypnotically long legs ever(she was severally anorexic, I will note), Shakira proved that pear shaped women can hold their own as beautiful and sexy with their hips that do not lie, Halle Berry have the most perfect proportions I have ever seen on film, Salma Hayek exemplifies that top heavy women can be taken seriously, Lucy Liu proves that not all asians lack curves, and Natalie Portman exhibits how to be short, cute, and sexy all at the same time.

If you are looking for some more reading on the subject...

http://books.google.com/books?id=p-vMiwul8bsC&pg=PA187&lpg=PA187&dq=Ann+Bolin+female+body&source=bl&ots=16pT-O97K0&sig=zAQ4706a-YGpYppRjTHRPl_0PFQ&hl=en&ei=iJufTLenHMqgnQfwk7yXDQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CCEQ6AEwAg#v=onepage&q&f=false

and

http://barneygrant.tripod.com/p-erceptions.htm